musical thoughts

video: Freedom Jazz Dance

My version of the Eddie Harris classic. I wanted to do a funky track for Youtube, and the idea of playing over a drum loop occurred to me. I found a nice sample of Amen Brother by the Winstons, which I manipulated somewhat (as you do) and looped to give myself some sort of backing track. I was going to do a bass line too, but this worked out to be an interesting sound without it.

This seems to be one of my most popular videos on Youtube. I suppose the lesson is that funk goes over better than bop or ballads. I am trying to find someone who is experienced at using the customary production tools of electronica to collaborate with. I have enough musical sense to bang on my instrument and get something, but I’m pretty behind the curve on modern music software. I think a sort of fusion of jazz and electronic dance music could be very interesting.

I was not a big fan of electronica until I heard a track by Squarepusher once. Then I read up on the guy and found out he was a jazzer. It made perfect sense, I could hear things in there that were substantially more complex and rich than the typical stuff.

But anyhow, this is still more piano playing and less electronica, even if I do have an eye toward experimenting some more in that vein. I work with a couple of musical “kernels” in this solo, playing the diminished scale associated with Bb7 a lot and taking the open “fourth over a tritone” voicing for Bb7#9 and shifting it around by minor thirds to play with some of the symmetry in the dim scale. Another voicing that surfaces frequently is a G major triad with an added Ab, which would be spelled Bb13b9 (the implied root remains Bb throughout this thing).

Some other devices are: approaches to resolutions by chromatic movement, deliberate ambiguity around major/minor caused by playing both major and minor third (perfectly possible within the dim scale), ending melody lines on E and G lot to foster a dissociation from the “one chord,” some plain old minor pentatonic, and the occasional register extreme, mostly down low in the basement.

    Freedom Jazz Dance metadata
  • rated 4.17/5 by 41 voters
  • viewed 12346 times
  • posted on July 23, 2006
  • 6 minutes, 25 seconds
  • 10 YouTube comments »
Rob @ November 25, 2006 8:33 pm

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10 YouTube comments »

  1. this is nice funky minimal stuff:P

    Comment by lokkke — September 10, 2008 @ 12:55 pm

  2. Great work! Sounds good =)

    Comment by niffumretsim — August 23, 2008 @ 7:58 am

  3. I see just fingers but no man?.....

    Comment by donatgubler — August 19, 2008 @ 6:37 pm

  4. just to be clear, it fucking kicks ass

    Comment by buttclogpin — June 2, 2008 @ 3:26 pm

  5. Thanks--try my latest video: 6p79I3EYcYE

    Comment by volvoxburger — June 2, 2008 @ 3:28 pm

  6. damn! this is some of the damn nearest near flawlessest shit ive seen on the you tube

    Comment by buttclogpin — June 2, 2008 @ 3:25 pm

  7. really really nice, very tasteful, NICE WORK

    Comment by mlagueux — May 5, 2008 @ 3:50 pm

  8. one of the greatest interpretations ever. eddie harris would be very proud of you.i'm very happy having listened to this.

    Comment by domkeller — April 20, 2008 @ 3:26 pm

  9. na se auto to epipedo thelo na ftaso...se vathos 6-7etias!!...well done my friend....!

    Comment by popstardust1 — January 6, 2008 @ 9:25 am

  10. Thanks for listening. The freedom comes in when you can avoid worrying about specific chord symbols and allow the music to flow. The only music theory construct in my mind for this was "dominant 7" which I deconstructed to just the tritone interval (D, Ab) and then expanded out to the full diminished scale that includes those two notes.But any note choices should be subservient to the goal of creating and releasing tension.

    Comment by volvoxburger — November 10, 2007 @ 11:19 am

1 Comment »

  1. sweetness Rob.

    Comment by whitecraneboxing — December 6, 2006 @ 10:03 pm

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